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The Onion
Yesterday 1:44pm
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People of Walmart is a humor blog that depicts the many customers of Walmart stores across the United States and Canada. Through funny photos and videos, People of Walmart is an entertainment blog in the Three Ring Blogs network that features over 30 of the funniest humor blogs on the internet. Walmart is the largest retail store in the United States and has millions of people visit stores each day wearing anything but proper attire. Hello Flippa.
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The season finale of NCIS: NEW ORLEANS continues its allegorical trip down “The River Styx,” also the name of tonight’s Part II episode. At the end of last week’s Part I, Pride (Scott Bakula) was on his knees living through the nightmare that has plagued him all season…his own death. In Greek mythology, the Styx is the river between Earth and the underworld, Hades. The underworld is guarded by Cerberus, a three-headed dog that prevents the dead from escaping Hades. The metaphor has not been lost on Dwayne. Since the surfacing of Walker and Apollyon, Pride has been barraged by dreams, visions and hallucinations of his own death, as if Cerberus, himself, is preventing Dwayne from escaping his spiral toward self-destruction.
Pride and Lasalle (Lucas Black) left NCIS: NEW ORLEANS for South Ossetia (part of the former Soviet Union) last week on a covert mission. Their off-book objective is to rescue Gregorio’s ex-boss, the FBI’s Raymond Isler (recurring guest star, Derek Webster) who was captured during a task force operation. Back in New Orleans, the NCIS team supports Pride and Lasalle from a distance and it works to locate the mole who is feeding information to Apollyon. Part I ended with Isler dying or dead in a boat and Pride’s nightmare evolving into reality…Avery Walker’s (recurring guest star Tim Griffin) gun pointed at his head and Dwayne’s destruction brought about by Apollyon (recurring guest star Amy Rutberg). Will Apollyon, named after the angel of destruction in Greek mythology, drag NCIS: NEW ORLEANS into the abyss, starting with Pride? Or will the river, like the Styx and the Greek goddess for which the river is named, rush to the aid of Zeus (aka Pride) and deliver him from destruction.
If Pride survives, will his tendency to act as if he is invulnerable, push him toward more reckless behavior? Perhaps Pride will heed the story of Achilles, who had been dipped in the River Styx as a baby to make him invulnerable. Unfortunately for Achilles, his mother held on to him by his heel during the dip, leaving that one spot vulnerable and ended up being his undoing. During the Trojan War, his enemy shot him in the heel with a poisonous arrow, killing the almost-immortal Achilles. The Greek poet, Homer, expounded the anger and pride of Achilles in his epic works, THE ILIAD and THE ODESSY. How’s that for a season metaphor? A man named Pride and a team that is his Achilles’s heel.
“The River Styx, Part II” was written by Christopher Silber and directed by James Whitmore, Jr. The season finale of NCIS: NEW ORLEANS airs tonight (May 14) at 10:00 p.m. ET/PT on CBS in the U.S. and at 7:00 p.m. ET/PT on Global TV in Canada.

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Will Heath for NBC
Steve Carell’s triumphant return to Saturday Night Live this weekend was surprisingly rife with more duds than successes. Whenever The Office alum and the cast members did succeed, however, they elicited some of this season’s strongest laughs of the season. That’s no small feat, for at a time when Michael Che, Colin Jost, Kent Sublette and the rest of the sketch show’s writing team seem to be struggling with the precise direction(s) they want to take things in, Carell’s episode was one of the season’s most unified.
Not that that’s always a good thing, as consistency can sometimes be a sign of laziness. (For example, the writing staff had the 56-year-old actor playing disgruntled fathers in at least three separate sketches, and most of them weren’t that great.) Even so, what saved SNL this weekend from utter failure was largely a mixture of Carell’s commitment to every ridiculous little thing the writers threw at him and many of the cast members’ similar devotion to selling what they were given.
This was especially true for Kate McKinnon and Cecily Strong, who killed in the “Voter Fraud” cold open, and younger cast members Mikey Day and Heidi Gardner, who regularly stole scenes from their respective sketches. Established acts like McKinnon, Strong and Leslie Jones are so central to SNL‘s current image that they likely don’t have to fight for airtime as much as fresher faces like Gardner and Day. Thankfully, the writers for this week’s episode (and Carell himself) gave them plenty of room to shine.
Here are the key moments from last night’s show.
McKinnon and Strong conquer the cold open, again
While SNL‘s continued attempts at political comedy don’t always hit the mark, McKinnon and Strong’s impressions of Fox News personalities Laura Ingraham and Jeanine Pirro are often the exceptions. The pair’s “Caravan” cold open from the Jonah Hill-hosted episode helped launch one of this season’s best episodes to date, which is probably why the writers decided to put them first again with this weekend’s “Voter Fraud” opening sketch. It didn’t quite have the same effect, in terms of propelling what came after, but it’s good nonetheless.
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The exodus continues: Danai Gurira is leaving The Walking Dead, according to The Hollywood Reporter. Gurira has signed a deal to return as katana-wielding zombie apocalypse survivor Michonne for "a handful of episodes" in Season 10 before making a likely transition to the spin-off movies that will reunite her with former co-star Andrew Lincoln.
Gurira is the latest of a string of Walking Dead stars to leave the show in the past year or so, following Chandler Riggs, who was written off in Season 8, and Lincoln and Lauren Cohan, who both left partway through Season 9, though Cohan may return in some capacity in Season 10.
Gurira joined AMC's horror drama in Season 3 and has become one of the show's breakout stars, rising to the second-billed spot behind Norman Reedus after Lincoln and Cohan left. During her time on the show, her star as an actor and writer has risen immensely, thanks to a high-profile role in Black Panther and a Tony nomination in 2016 for her play Eclipsed. It was probably only a matter of time before she left to focus on her own projects, which include writing and producing an adaptation of Chimamnda Ngozi Adichie's hit novel Americanah into a limited series that will reunite her with Eclipsed star Lupita Nyong'o. So keeping her long enough to finish her story on The Walking Dead and appear in the movies is a bittersweet win for AMC. Her arc will likely be getting some signal that her lover Rick Grimes (Lincoln) is still alive and setting out to find him.
With most of the previous stars gone, Reedus and Melissa McBride are getting big raises, reportedly signing three-year deals that will pay them somewhere in the range of $50-90 million and $20 million respectively and allow them to move between Walking Dead properties, including current spin-off Fear the Walking Dead and potential future movies and spin-offs as AMC carries out its Walking Dead universe expansion plan.
TV Guide has reached out to AMC for comment.
The Walking Dead returns for the second half of Season 9 on Sunday.


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If you loved Vice Principals and Eastbound and Down, HBO is delivering more good news: The network just ordered a new Danny McBride comedy called The Righteous Gemstones. The comedy about televangelists stars John Goodman alongside Edi Patterson, Adam Devine, Cassidy Freeman, Tony Cavalero.
According to HBO, it’s a “half-hour comedy about a world-famous televangelist family with a long tradition of deviance, greed and charitable work — all in the name of the Lord Jesus Christ.” via Deadline:
McBride stars as Jesse Gemstone, Eli’s eldest son and heir to the throne who walks in his father’s shadow while simultaneously blazing his own path. He also fancies himself a maverick in the ministry game, taking what Eli has built and expanding it for a more modern audience.
Edi Patterson is set as Judy Gemstone, the daughter of Eli and Amy Leigh; Adam Devine plays Kelvin Gemstone, Eli and Amy’s youngest who’s the edgy one; Cassidy Freeman is Amber Gemstone, wife of Jesse Gemstone; Tony Cavalero is Keefe Chambers, an ex-Satanist saved by Kelvin. Tim Baltz is Judy’s fiancé BJ, and GregAlan Williams plays Martin Imari, a conservative Kenyan and Eli’s right hand.
If it’s anything like McBride’s previous work on HBO, I’m expecting a riotous amount of snake charming and church jokes.
The Gospel according to Danny McBride is a gospel I can firmly get behind.

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Fall behind? Read our last Last Man Standing recap here.
This week on Last Man Standing, Mike refuses to grieve his late father Bud — that is, until Bud pays him a visit from beyond the grave. What follows is a conversation that father and son never had when Bud was still alive.
As revealed in “Man vs. Myth,” Bud died four months ago, and Mike has yet to sort through his father’s belongings. Ryan stops by with paperwork for Bud’s Buds, but Mike wants nothing to do with it. In fact, he’s determined to sell the pot dispensary and do away with his father’s legacy. The next day, Kristin approaches Mike at work and proposes that she and Ryan take over Bud’s Buds, but Mike holds firm on his decision to sell. An upset Kris storms out of Mike’s office, saying she can’t believe she cares more about Bud than his own son.
Later that night, Mike returns home and lets Vanessa know that goodwill will be stopping by to collect Bud’s junk. In response, Vanessa confronts her husband about refusing to grieve his late father, but Mike insists he’s fine. “What’s there to say about him?” Mike asks. “He was a lousy father who dropped dead at a bowling alley.” And just when he thinks he’s escaped discussing dear ol’ dad, he enters the garage to find Bud’s ghost waiting to have a talk with him.
There, Mike scolds Bud, telling Dad that he was a distant, uninvolved parent. “I am who I am despite how you raised me,” he says, “not because of it.” But at the end of the day, Mike is most upset because Bud never said “I love you.” The father and son say they were both going to eventually, but ultimately waited until it was too late.
Later, Kris comes to apologize to Mike for lashing out at work. Mike accepts her apology, then hands her the paperwork to take over Bud’s Buds. Afterwards, Kris explains why Bud was her hero, revealing to Mike that she first confided in her grandfather when she found out she was pregnant at 17. At the time, she worried how Mike would react, but Grandpa assured her that Mike would love her even more if she went to him and told him the truth. Mike gets weepy-eyed, and tells Kris he loves her.
The following afternoon, goodwill shows up to retrieve Bud’s things. Mike tells them to take all the boxes, but holds onto his father’s favorite chair.
Elsewhere in the episode, Kyle is settling into his new gig in personnel, but still feels out of place behind a desk. In an effort to help boost his confidence, Mandy gives her husband a makeover, which doesn’t go over well; he shows up to work the next day in a shirt and tie… and short shorts. After Ed and Chuck tease him, a newly confident Kyle stands firm with Mandy and says he’ll be dressing himself from here on out.
What did you think of “Man vs. Myth”? Will you miss Bud? Hit the comments with your reactions!
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In the past week, women across the world have been sharing their experiences with sexual assault, rape and harassment. The recent wave of sharing was fueled largely by Dr. Christine Blasey-Ford's testimony against the Supreme Court nominee Brett Kavanaugh.
On Thursday, Blasey-Ford stood before the Senate Judiciary Committee and shared the time Kavanaugh attempted to rape her in high school. Through all of this, she remained incredibly composed and focused.
Later in the hearing, Kavanaugh defensively sputtered about how much he loves beer, calendars, and how he's definitely not guilty.
Seeing Blasey-Ford relive her trauma on a national stage triggered painful memories for sexual assault survivors across the country. Many women saw themselves in Blasey-Ford, particularly as she faces a sadly predictable barrage of victim-blaming backlash.
In response to the outpouring of assault stories, the comedian Mara Quint shared her own anecdotes of all the times she wasn't raped. Most of these situations involved alcohol and flirting, two factors that largely get women blamed for their assault. However, as Quint points out, despite her vulnerability she was not assaulted because these men knew better.
So much of the victim-blaming conversation around rape points fingers at women for doing basic activities like drinking, flirting, staying out late, or what they wear. The notion of women "asking for it" is still sadly very active in the pubic psyche. Quint's thread places responsibility for assault back where it should be: on the men who enact it. As she points out, men who aren't predators have no issue deciphering consent.
All of the men in her anecdotes double-checked to make sure if Quint said "yes," and when they realized that wasn't the case, they immediately stopped advances.
She then went on to share that she has experienced assault, and the main difference between those experiences and other drunk nights are the fact that men who assault don't care about consent. No amount of sobriety, dress codes, or limitation of women's activities will change the fact that men are responsible for their own actions.
Quint's anecdotes inspired other women to share similar situations where they could have been in danger if the men were predators.
A handful of men also chimed in with times they've looked out for drunk women at parties.
Moral of the story: when someone is sexually assaulted, it's not their fault, it's the fault of the predator. People know the meaning of consent, even when drunk, it's just a matter of whether they practice it.

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NBC L+3 Ratings: "This Is Us" & "New Amsterdam" Generate Tuesday's #1-2 Biggest L+3 Lifts
"This Is Us" and "New Amsterdam" are Tuesday's #1-2 biggest L+3 gainers on the night - increasing the dominance of "This Is Us" over the Tuesday competition:
This Is Us
· Grew by +1.28 rating points in 18-49 (2.97 in "live plus same day" Nielsens to a 4.26 "live plus three days" figures) and +4.0 million viewers overall (10.6 million to 14.6 million), for the largest L+3 lifts of the night in both measures.
· Increases its dominance over the Tuesday competition, having already scored as the night's #1 telecast in L+SD results and then adding to that with the night's biggest L+3 lift.
New Amsterdam
· Increased by +0.84 in 18-49 rating (1.84 to 2.68) and +3.9 million viewers overall (8.4 million to 12.3 million), for the #2 biggest lifts of the night in 18-49 rating and total viewers, behind only the gains for "This Is Us."
The Voice
· Grew by +14% in 18-49 (2.17 to 2.48) and +1.4 million viewers overall (9.9 million to 11.3 million) going from L+SD to L+3 Nielsens.
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By now, you've probably watched Ariana Grande's "Thank U, Next" video so many times that it's basically on a loop in your head, eliminating all need for YouTube. And one of the most notable parts of the vid—other that Kris Jenner's immortal appearance—was when Ariana flipped through the pages of her Mean Girls-inspired Burn Book, revealing entries for her exes Pete Davidson, Big Sean, and Ricky Alvarez. But not included? Rapper Mac Miller.
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Because instead of flipping to a page in the book when singing the line "wish I could say thank you to Malcolm, 'cause he was an angel," Ariana looks to the sky:
She also hit up Twitter to explain her reasoning a few days ago, revealing that her late ex's photo isn't in the "Thank U, Next" book because it's on her bedside table instead (though it doesn't appear to be visible in the video).
So. Much. . Watch the full video for "Thank U, Next" below.
