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The Kompakt mainstay has written ten exclusive tracks for the 60-minute mix.
The Kompakt artist follows Bonobo, who inaugurated the London club's rebranded mix series in February. Launched alongside fabric's 20th anniversary, fabric presents sets out to represent a broader spectrum of music than the preceding fabric and Fabriclive mixes.
On fabric presents Kölsch, the mega producer and DJ has written ten new productions inspired by international touring. Tracks are named after flights from his gig schedule and are said to "offer a glimpse into a dreamy, visceral world full of transcendent moments."
Kölsch will play an extended five-hour set at Forms on the release day of his new mix.
Tracklist
01. US1873
02. LH479
03. SK1550
04. EZY865
05. VA5641
06. AC1609
07. KM477
08. VY3517
09. UA444
10. EI3227
fabric will release fabric presents Kölsch on May 31st, 2019.

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Bad news, Earpers. Production on Wynonna Earp's fourth season has been delayed, TV Guide has confirmed. Production company IDW Entertainment is currently seeking ways to fund the anticipated new episodes of the cult Syfy drama and has delayed production as a result, according to The Hollywood Reporter.
Although the series, which stars Melanie Scrofano as the titular demon-fighting hero, airs on Syfy, IDW owns the rights to the show and is responsible for paying the costs of production; the company is also contractually obligated to deliver the fourth season, which was ordered by Syfy in July. Meanwhile, Syfy remains committed to the series, but the network is not in control of the show's production.
"Syfy ordered Season 4 of Wynonna Earp from IDW and is completely committed to the series. This has not changed," the network said in a statement to TV Guide.
Friday's report about the delay explains some cryptic tweets shared by the team behind Wynonna on Thursday. Star Scrofano allegedly wrote in now-deleted tweets that she didn't know what was going on with the delay, only that Wynonna was not currently in production despite usually filming at this point in the year. Showrunner Emily Andras also reportedly asked fans on Twitter if they were ready to fight for the series before deleting that tweet. She later wrote and kept up the equally ominous tweet, "Don't f--- with my family."

In response to Scrofano and Andras' tweets, the show trended worldwide on Thursday evening as Earpers rallied to raise awareness of the series and put pressure on IDW and Syfy to deliver the new season.
On Friday morning, Andras added: "Sorry I made you change out of your hiatus pants into your battle pantaloons but I waited as long as I could by myself. Thanks for showing up." Scrofano also shared a thread detailing an Earper's plan to "#FightforWynonna."
While this news is incredibly upsetting, it doesn't mean we won't necessarily get Wynonna Earp Season 4; we'll probably just have to wait a little longer to find out what the hell happened after Doc (Tim Rozon) disappeared into the Garden of Eden. And in the meantime, we can always amuse ourselves by rewatching the first three seasons on Netflix and following the casts' endlessly charming Instagram and Twitter accounts. Oh, and keep that #FightforWynonna hashtag trending.

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Consider these names, and try to imagine what might happen if they joined forces in a musical enterprise devoted to channeling their own creative madness and simultaneously assaulting the sanity of their listeners:
Matron Thorn (Ævangelist, Præternatura, Benighted In Sodom, Devil Worshipper, ex-Bethlehem)
H.V. Lyngdal (Wormlust, Guðveiki, Martröð)
Mories (Gnaw Their Tongues, Cloak Of Altering, De Magia Veterum, Aderlating)
Jarle Byberg (Urgehal, ex-Craft, ex-Shining)
Kabukimono
This isn’t an idle thought exercise. These individuals have in fact collaborated under the name Obscuring Veil, and their first album, Fleshvoid To Naught, will be released on March 22nd by I, Voidhanger Records. We are fiendishly pleased to present a stream of a track that asks the question “Do You Want To See The Knife I Used?“
The album consists of two relatively short tracks and two very long ones, arranged in alternating order. “Do You Want To See The Knife I Used?” is the first of the long ones, each of which nearly reaches 12 minutes in length. Listening to it is like being thrown into a cylconic black vortex of ravaging and wraithlike sounds, an utterly dizzying experience that produces mind-warping and blood-freezing effects, channeling dementia and ecstasy, misery and madness.
The music seems brutally cacophonous at first, but as time passes it becomes apparent that “kaleidoscopic” is a better word than “cacophonous”. The senses-shattering impact of the vortex is unrelenting, but pieces fall into place, become violently disrupted, and fall into place again. The track is an extravagant hallucination, and kaleidoscopic in the complexity of its sensations as well, but certain repeating motifs tie things together, even as the storming derangement of the track as a whole does its best to untie the knots in your mind.
The ingredients in this sonic madness include squalling, abrading dissonance; spectral gleaming and flickering tones; booming and clattering drums that switch tempos and patterns with abandon, unpredictably moving from locked-in, head-moving rhythms to strange, destabilizing cadences or eruptions of maniacal thunder; brain-twisting bass tones that groan, moan, undulate, and pound from the depths of an abyss; tinkling keyboard notes; flares of searing, shrieking, ear-spearing sound; a true cacophony of shattering cries and reverberating wails; and a multitude of other ingredients that have been worked into this dense and destabilizing nightmare.
Dive into this descent below, but be warned — it’s the kind of music that can swallow you whole and spit out only ruined fragments by the end.
The cover art is by H.V. Lyngdal, and the layout for the album is credited to Francesco Gemelli. I, Voidhanger will release the album in a digipack CD edition limited to 300 copies, with an 8-page lyric booklet.
Here again are those names, with the roles they played in creating this album, followed by links where more info about the release can be found:
Matron Thorn — guitars/vocals
H.V. Lyngdal — bass and piano
Mories — keyboards/synths
Jarle Byberg — drums
Kabukimono — voices
MORE INFO
https://www.i-voidhanger.com
https://www.facebook.com/i.voidhanger.records
https://i-voidhangerrecords.bandcamp.com/
OBSCURING VEIL:
https://www.facebook.com/obscuring.veil/
TRACK LIST:
1. Abstraction (1:26)
2. Do You Want To See The Knife I Used? (11:52)
3. Obfuscation (4:24)
4. Spirit Me Away, O Murdered Star (11:42)
Total Time 29:25
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NEW YORK—As part of its effort to provide the most comprehensive reporting possible on the freshman congresswoman, Fox News announced Wednesday the debut of a new premium television channel that will offer continuous, around-the-clock updates on Rep. Alexandria Ocasio-Cortez (D-NY). “For an extra $8.99 per month, you’ll have an all-access pass to the AOC Zone, which features wall-to-wall coverage of every word Ocasio-Cortez utters, as well as in-depth analysis of her wardrobe and any videos we’re able to dig up from her college days,” said Fox spokesperson Avery Mattison, adding that the new channel will include uninterrupted live footage of the 29-year-old representative every time she appears in public, along with nonstop commentary from a 12-person panel of experts. “We know our viewers will come to depend on this outlet for 24-hour coverage of AOC, which is why her tweets, Instagram posts, and her latest wacky policy proposals will appear in a ticker at the bottom of the screen. We’re particularly excited for the premiere of the channel’s flagship program, AOC Tonight With Tucker Carlson.” Minutes after AOC Zone began broadcasting, sources confirmed its ratings had already surpassed those of Fox News.

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About a week after news broke that New York City's beloved OUTPUT nightclub would permanently close its doors Jan. 1, 2019, club goers in Denver and San Francisco find themselves in similar straights.
Denver's Beta Nightclub, once named in the top 25 clubs of all time by Billboard and the top club in the United States by Rolling Stone, will hold its final party Saturday, Jan. 5 2019, while Mezzanine in San Francisco's Mint Plaza will run out its lease in October.
Beta announced its closure after nearly 11 years of business in posts to social media Thursday night (Dec. 20).
"Our mission statement was always simple," states a Facebook post, "club culture evolving. As we made the decision to draw Beta Nightclub to a close, we reflect back on this mantra and what it has become. We want to honor what we set out to do, honor our DJs for their devotion to their craft, honor our staff and promoters for their dedication, and most importantly, honor our fans who have shared their valuable time with us. It is with that reflection that we acknowledge the need to take this time to reset, recalibrate, and re-familiarize ourselves with our promise. Our reputation reflects our integrity and we want to remain true to what we stood for."
Mezzanine's closure is far from elective. According to a report by the SF Chronicle, the hybrid live venue and DJ discoteque is forced to end its more than 15 years of business as the building's owners refuse to renew its lease. They instead have chosen to release the property to a lucrative tech company for a rent increase of as much as 600 percent. The city's Mayor, London Breed, has called the decision "extremely disappointing."
“Our entertainment and nightlife businesses are an important part of our local economy, but institutions such as Mezzanine are valuable for reasons beyond just economics -- they provide important cultural space for our residents, artists and visitors,” Breed is quoted. “I am hopeful that the owners of the building will stay at the table and continue to work with the owners of Mezzanine to find a solution.”
Read more about Mezzanine's legacy and impending closure via the SF Chronicle, and read Beta's full message to clients and fans from Facebook below.

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NBC is taking Malin Akerman to court. The Billions actress is joining the cast of Prism, a drama pilot that examines a single murder trial from multiple perspectives, TVLine has learned. Akerman’s character, an Erin Brockovich type named Rachel Lewis, is described as a “brilliantly passionate” public defender, equal parts ruthless and empathetic.
From Universal Television, Carol Mendelsohn Productions and We’re Not Brothers, Prism‘s pilot is being written and directed by Daniel Barnz, who will also executive-produce alongside Mendelsohn, Julie Weitz and Ben Barnz.
The pilot’s official logline is as follows: “A provocative exploration of a murder trial in which every episode is told through the perspective of a different key person involved. Each new version of the facts ratchets up the mystery and the suspense, calling into question everything we have seen so far and asking is the right person on trial? Driven by an ensemble of complicated characters, the show lets the audience ask if truth matters less than who can tell the most compelling story.”
When Akerman chose to make herself available for pilot season, Billions fans naturally wondered if her time on the show might be coming to an end. However, a Showtime spokesperson assures TVLine that if Billions is renewed for a fifth season, Akerman will still appear on a recurring basis. Her long-term contract was adjusted to allow her to pursue work on other series.
Your thoughts on Prism? Drop ’em in a comment below.

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The 76th Annual Golden Globe Awards kicked off with some controversy on the red carpet and concluded with some WTF-ery in the form of Bohemian Rhapsody winning best drama over A Star Is Born. In between, there were highs and lows and hits and misses, as the Hollywood Foreign Press Association did not come to play -- and the neither did the hosts, the delightful duo Sandra Oh and Andy Samberg. In case you didn't have time to watch the whole ceremony, we rounded up the best and worst moments of the 2019 Golden Globes.
All the latest on the Golden Globe Awards
WORST: Ryan Seacrest's Time's Up Bracelet
Ryan Seacrest, who was accused last year of sexual misconduct by a former stylist (claims Seacrest has denied), started this year's Globes off on the completely wrong note. As actors began to flood the red carpet, co-host Giuliana Rancic noted the continued support of the #metoo movement via Time's Up bracelets and ribbons. As Rancic pointed out her own swag, Seacrest chimed in to highlight a black version of the same bracelet neatly hidden under the cuff of his shirt. While E!'s investigation of Seacrest found no wrongdoing, the way in which the well-known host handled the accusation left many with no desire to see Seacrest on the awards circuit in 2018. Trust that flashing a shallow connection to Time's Up only meant that Twitter doubled down on their disdain for Seacrest in 2019. - Krutika Mallikarjuna
BEST: Emma Stone Apologizes for Aloha
During the opening monologue, Oh made a joke about how Crazy Rich Asians was the first studio movie with an Asian-American lead since Ghost in the Shell and Aloha, films which placed stars Scarlett Johansson and Emma Stone, respectively, in white-washed roles rather than casting actors of Asian heritage. Emma Stone, in the audience as a nominee for The Favourite, yelled "I'm sorry!" That counts as a public apology, right? - Liam Mathews
BEST: The Americans Takes Home the Trophy
The Americans, one of the best shows on TV in every one of its six seasons, finally took home a series award for its final year. This was the FX spy drama's last chance to get the awards recognition it so richly deserved, and it did (The Americans did win a couple Emmys in 2018, but not for the series). It was the only show in the best drama series category not in its first season, which means Globes voters went against their natural inclination to reward new shows to give The Americans a cumulative win. - LM
BEST: Carol Burnett Wins the Inaugural Carol Burnett Award
This year, the HFPA instituted the Carol Burnett Award, named after the living legend and presented to a person who "has made outstanding contributions to television on or off the screen." In a charming bit, Steve Carell came out to present the award as if there were any other nominees to even consider for the first annual Carol Burnett award. After blowing right past talented actors like Antonio Banderas and Charlize Theron, he played a tribute to Burnett that showcased how integral she is to modern comedy. Burnett then came out and -- like the legend she is -- said she'd be accepting the award every year going forward. Ending on a more sincere note, the comedy icon thanked everyone who had ever made her dreams possible and with cheeky tug on her ear (which she did at the end of each episode of The Carol Burnett show as a tribute to her grandmother) said, "I can look back and say I'm so glad we had this time together." - KM

BEST: Regina King Challenges Leaders to Do Better
Regina King, the literal best, used her best supporting actress victory speech for If Beale Street Could Talk to make an announcement and throw down a gauntlet. "In the next two years, everything that I produce will be 50 percent women," she said. "I challenge anyone out there who is in a position of power--in all industries--I challenge you to challenge yourself and do the same." It was one of the strongest feminist statements in a night full of them. - LM
BEST: Sandra Oh Wins Best Actress in a Self-Fulfilling Prophecy
In an emotional moment that's been a long time coming, Sandra Oh won Best Actress in a Television Drama for Killing Eve. Finally receiving recognition for the powerhouse that she is, Oh gave a moving acceptance speech that tied into her opening monologue in which she recognized that even though things might backslide as soon as next year, here at the 2019 Globes she "wanted to be here to look out into this audience and witness this moment of change." In a self-fulfilling prophecy, the ecstatic star took home the Golden Globe but not before thanking her immensely proud parents in Korean. Oh is the first actress of Asian descent to take home the best actress trophy in nearly 40 years. She previously won Best Supporting Actress in a Television Drama for her performance as Cristina Yang on Grey's Anatomy. - KM
WORST: Too Many Wins for Green Book
Green Book is a competently made but problematic movie. It's not better than The Favourite or BlacKkKlansman or Roma or If Beale Street Could Talk or Vice, all movies it beat as it rolled to victories in the Best Screenplay, Best Supporting Actor and Best Picture -- Comedy categories. (No disrespect to Mahershala Ali, to be clear.) It's a bad look in 2019 to be giving awards to simplistic movies about racism, especially when one of the other options in the screenplay category was a James Baldwin adaptation written and directed by Barry Jenkins. That's some Crash nonsense. - LM
BEST: Jeff Bridges Tags Us Into Being Trim Tabs Because That's Life, Man
Sam Elliott, in character as The Stranger from The Big Lebowski, narrated a package of clips from the illustrious career of Cecil B. DeMille Award winner Jeff Bridges, setting up The Dude for a delightfully rambling speech where he just kind of thanked people he's met throughout his life as he thought of them. Special shout out to Lloyd Kaplan, his stand-in since The Last Picture Show in 1971. We could have abided an hour of Jeff Bridges free-associating. "We all have been tagged! We're alive! Right here, right now! We're alive! You know what I mean?" I do, Jeff. I do. - LM
WORST: The Kominsky Method Winning Over The Good Place Is Proof We're in the Bad Place
In a star-studded category that included The Good Place,The Marvelous Mrs. Maisel, Kidding, and Barry, The Kominsky Method took home the trophy for best television series - musical or comedy. The critically panned show was less of a touching exploration of aging and more of Chuck Lorre's experiment in prostate jokes. Particularly compared to the complexity of the other shows in its category (seriously! The Good Place is basically seven shows in one!) this felt like an award sacrificed to the mega-million dollar altar of Chuck Lorre's TV empire. - KM
BEST: Olivia Colman Says "My Bitches"
Thank God for live TV and the tired censor who kept missing cuss words because the only thing that kept us going through the longest awards show of the season was getting to hear Olivia Colman say "bitches" in her acceptance speech for The Favourite. Colman won best actress in a musical or comedy film and shouted out Emma Stone and Rachel Weisz, her co-stars in the hilarious period piece about power lesbians fighting for political control over England, by thanking "my bitches" in a way that convinced us that butter wouldn't melt in her mouth. The shy, sweet, shoulder shrug didn't hurt. - KM
WORST: Wrap It Up, Peter Farrelly
The show was already running long when Green Book director Peter Farrelly decided he had something to say about racism in America that was so important he stridently yelled at the stage manager to turn off the "play him off" music. The speech may have seemed like a good idea but it went over poorly, both online and seemingly in the room as well. - LM
BEST: Glenn Close's Surprised Face
Big night for the cast of Fatal Attraction. First Michael Douglas won for The Kominsky Method and then Glenn Close won for The Wife. She wasn't expecting to win, because she's not Lady Gaga, and she made this face when her name was called. - LM
WORST: Lol, Bohemian Rhapsody Wins Best Picture
Bohemian Rhapsody, a movie whose director was fired during production, won best picture in the drama category while lead Rami Malek, who played Freddie Mercury, took home best actor. Those wins left Bradley Cooper and A Star Is Born without any major awards. We're far from the shallow now -- and, besides, the real best movie of 2018 was Mandy. Don't @ me. - LM
PHOTOS: Red Carpet Arrivals at the 2019 Golden Globes

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A Spanish court has cleared Colombian singers Shakira and Carlos Vives of a plagiarism claim after rejecting a lawsuit brought against them by a Cuban-born singer and producer.
The court in Madrid issued its ruling in favor of Shakira and Vives on Thursday (May 16).
Livan Rafael Castellanos had accused Shakira and Vives of plagiarizing his 1997 song “Yo te quiero tanto” in their award-winning hit “La Bicicleta.”
“La Bicicleta” won two of the three biggest Latin Grammy awards for 2016, including song and record of the year.
The ruling can be appealed.
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Source: https://www.cbsnews.com/video/saturday-sessions-ahi-performs-on-my-side/